Bike Race Cometh

In it’s 27th year the Philadelphia International Cycling Championship returns on June 5th to the city of cheesesteaks and apparently bicycles.  For a city that is considered one of the most friendly and forward towards bicycles as daily transportation,  it  can also boast one of the top rated cycling challenges in the world by professional riders themselves.  What’s attracting the top riders from all corners of the globe to ride around the Art Museum along the Schuylkill River up into Manayunk and back?   I don’t think it’s the cheesesteaks or the early American History.  It’s out there in freakin’ Manayunk, yup it’s the “Manayunk Wall” an intense half mile 17 percent grade incline that has to be climbed during each 14.4 mile lap, a total of 10 times.  It’s hard to describe “The Wall” or get across how steep it is.  I once tried to rollerblade down it.  Yes besides being old and reckless I was once young and reckless.  I barely made it down a tenth of the hill before grinding my brakes to nubs and struggled to stay under control only to swerve and grab a fence that runs along one side of the street and inch my way down to the bottom of the hill…… the race finishes with three laps around Lemon Hill and Logan Circle and will have logged 156 miles.

At the same time over the same course will be the Liberty Classic consisting of more than 100 professional and international women cyclists.  This race is four laps and logs 57.6 miles.

In Manayunk unless you get out there early it will be difficult to get a spot to watch the race, but around the Art Museum, Ben Franklin Parkway and along the Schuylkill River there are many spots to watch.

Philadelphia International Cycling Championship

no images were found

Shooting for Salvation

Photos and Article by Al Stegeman AKA “Al in Philly”

Reverend Billy.

When my friend, Jean Merritt, began showing me snapshots of him, and his Church of Life After Shopping (now morphed into the ecology-focused “Church of Earthalujah”) , which she joined a couple of years back, I knew I had to shoot some of my own photographs of the man.  More precisely, I had to shoot his hair.  His pompadour should be showcased in MOMA, or perhaps discussed in the Journal of the American Society of Civil Engineers.  I was planning on going up to NYC to shoot him and his performance troupe this Summer; then my friend Jean told me that he was coming to give a show at Drexel University, where I work, at the end of March.  That is where I got my first stab at shooting “The Rev.”

Reverend Billy Talen isn’t your average, day-to-day minister.  He’s an apostle preaching an evangel, complete with a back-up chorus, but don’t expect him to be found behind a pulpit in a church with a crucifix behind him.  Reverend Billy is to organized religion what John Stewart is to journalism.  And like Stewart, his scathing criticisms of the hypocrisies of the world which we all live in are both incredibly funny and painfully true.  Damn, is he funny.  He’d be disturbing too, except that with the crowd at Drexel, he wound up “preaching to the choir” about the differences between the balance of man and nature and the balance found on a corporate ledger sheet.

When I first came across Rev. Billy, about an hour before he was scheduled to start the show, he was pensive.  It was written all over his face.  I had contacted him earlier in the week, introduced myself as a friend of Jean Merritt, and asked if he minded my taking some pictures.  He was more than gracious about it.  But when I began shooting, I could tell that his uneasiness wasn’t helped in the least by my shooting away at him.  Still, he was a great sport about it and let me snap away.   Apparently Rev. Billy is pretty extemporaneous in his evangels, and tries to concretize his sermons in his head, just before the show.  I’d look pensive too.  I actually like some of those shots the best, as they show just a bit of the man hiding behind the minister’s collar.

I first began shooting with a strobe, alternating between my 7-14mm f4.0, and 12-60 f2.8 Zuiko lenses on my Olympus e-30.  I just had to snag a photo of him doing his hair at 7mm.  But before the performance started I decided to go with the available lighting in the hall where the performance took place, mainly alternating between the 12-60 Zuiko and a 50mm f1.4 Sigma prime, depending on how shallow I wanted the depth of field to be.  Shooting the performance was a challenge, as I had placed myself in the front row, about 5 feet (sometimes less) from Rev. Billy and his chorus.  While that gave me a great vantage point to create a sense of intimacy between my camera and subject, it also made it more than a bit of a challenge locking focus on the cast as they literally ran towards and away from me.  Challenging, but also way fun.  Praise the Lord for big memory cards.

“Fun” is the key word for describing what it was like to shoot the show.  Total orchestrated mayhem, and a lot of cynical laughs.  And on more than one occasion, a bit of poignancy thrown into the mix as well.  That sense of very human, very silly, seriousness was what I tried to capture in this series.  God knows what the next set I do of the Reverend Billy Talen and his Church of Earthaluja will bring when I shoot him on his home turf in New York.

Al Stegeman AKA “Al in Philly” 2011

Kensington Kinetic Sculpture Derby

For many of you May 21, 2011 is a very significant day and you’ll probably be preparing for Jesus and the end of the world.  More than likely you’ll be in your individual chosen spot to receive rapture and won’t have much else planned.  Anyone know if there was a time of day given?

no images were found

Anyway,  if that doesn’t do it for you or it doesn’t pan out and you’re looking for something else to do we recommend the Kensington Kinetic Sculpture Derby (KKSD), a design competition/parade of human powered vehicle floats and the Trenton Ave Arts Festival.

Here are our shots from 2010: