Umbrellas

Is it just us or are umbrellas and bad weather an intriguing photo subject?   Seemingly a timeless classic image.  Over the years we have gathered a wide range of umbrella shots mostly taken in Manhattan and Philadelphia.

 

 

 

 

 

500px-parts_of_an_umbrella-svg_

What is it about the umbrella? It’s a simple mechanical device. Is it the way people hold them?  Is the design and pattern?  Or a combination of them all?

From Wikipedia:

An umbrella or parasol (also called a brolly, parapluie, rainshade, sunshade, gamp, bumbershoot, or umbrolly) is a canopy designed to protect against rain or sunlight. The word parasol usually refers to an item designed to protect from the sun; umbrella refers to a device more suited to protect from rain. Often the difference is the material; some parasols are not waterproof. Parasols are often meant to be fixed to one point and often used with patio tables or other outdoor furniture. Umbrellas are almost exclusively hand-held portable devices; however, parasols can also be hand-held. The collapsible (or folding) umbrella originated from China,[2][3] and had sliding levers similar to those in use of today.[4]

The word umbrella comes from the Latin word umbra, meaning shade or shadow (the Latin word, in turn, derives from the Ancient Greekómbros [όμβρος].) Brolly is a slang word for umbrella, used often in Britain, New Zealand, Australia, South Africa, and Kenya. Bumbershoot is a fanciful Americanism from the late 19th century.

Some old some new here is a gallery of the timeless umbrella:  All photo by Lori Foxworth and Paul Gentile

Dr Evil?

Dr Evil?

Is Murdoch Dr Evil?  I never liked the way News Corp did business, but I never expected to this extent.  Good luck Rupert, but it looks like things are starting to crack at the foundations.

Corporate Activists

activist judges We won’t get political much around here at Your Daily Cheesesteak, but this past weeks Supreme Court decision has us flapping our gums.   Where do we start?….it has so many levels.  In our point of view this is a major set back to individual rights.  Every class action suit in the country is going to be undermined now.  Last years decision that allows corporate funding to political candidates along with this blatantly gives corporations and business more rights than the individual.  Owners and executives of business now have more rights than individual persons.   Is this what we want in this country?   It seems to me in one sweeping decision that the Supreme Court has enacted TORT reform and setback the rights of women and all workers in this country.

Is this the ‘snowball’ getting bigger and bigger?  Wisconsin and New Jersey curtailing union rights to collective bargain and then the Supreme Court smacking down class-action suits?  My guess is it’s only the beginning.

Corporations have played the American worker and the middle class like a fiddle the past 40+ years, working conditions and rights that took lives and years to overcome have been stripped and yet they want more.  They have their game down to a science, playing it well on every front, especially the media.   And the mainstream media seems to have no clue at all or they are part of the movement.  Well duh!!  Most  of the freakin’  mainstream media is owned by the mega-corporate world.

CEO salaries to average workers salaries at the widest disparity in 80+ years, salaries stagnant for 40 years, unemployment close to 10%, mankind in this a country should be ashamed of itself.

Does everyone really want to live in a corporate run country?

Dance

24Photo Essay by Caitlin Sherman, Senior at Drexel University

csherman89@gmail.com

http://www.flickr.com/photos/22881860@N07/

As for my subject–I chose dancers because I knew it would be a challenge. I have always struggled with and not particularly been a fan of shooting people…but I love dance. It fascinates me and the way a dancer can move is beautiful. I was also intrigued by capturing an art-form using another art-form. It was great to follow these girls through their progress of learning the choreography as well as seeing their personalities come out in the images. I chose to do black and white for the rehearsals and color for the final images as sort of a “grand finale” of my images and their performance.

Stormy Seas

obamasstormysea

As we enter into the election cycle for 2012 there are things no one can control…..or can they?

Shooting for Salvation

Photos and Article by Al Stegeman AKA “Al in Philly”

Reverend Billy.

When my friend, Jean Merritt, began showing me snapshots of him, and his Church of Life After Shopping (now morphed into the ecology-focused “Church of Earthalujah”) , which she joined a couple of years back, I knew I had to shoot some of my own photographs of the man.  More precisely, I had to shoot his hair.  His pompadour should be showcased in MOMA, or perhaps discussed in the Journal of the American Society of Civil Engineers.  I was planning on going up to NYC to shoot him and his performance troupe this Summer; then my friend Jean told me that he was coming to give a show at Drexel University, where I work, at the end of March.  That is where I got my first stab at shooting “The Rev.”

Reverend Billy Talen isn’t your average, day-to-day minister.  He’s an apostle preaching an evangel, complete with a back-up chorus, but don’t expect him to be found behind a pulpit in a church with a crucifix behind him.  Reverend Billy is to organized religion what John Stewart is to journalism.  And like Stewart, his scathing criticisms of the hypocrisies of the world which we all live in are both incredibly funny and painfully true.  Damn, is he funny.  He’d be disturbing too, except that with the crowd at Drexel, he wound up “preaching to the choir” about the differences between the balance of man and nature and the balance found on a corporate ledger sheet.

When I first came across Rev. Billy, about an hour before he was scheduled to start the show, he was pensive.  It was written all over his face.  I had contacted him earlier in the week, introduced myself as a friend of Jean Merritt, and asked if he minded my taking some pictures.  He was more than gracious about it.  But when I began shooting, I could tell that his uneasiness wasn’t helped in the least by my shooting away at him.  Still, he was a great sport about it and let me snap away.   Apparently Rev. Billy is pretty extemporaneous in his evangels, and tries to concretize his sermons in his head, just before the show.  I’d look pensive too.  I actually like some of those shots the best, as they show just a bit of the man hiding behind the minister’s collar.

I first began shooting with a strobe, alternating between my 7-14mm f4.0, and 12-60 f2.8 Zuiko lenses on my Olympus e-30.  I just had to snag a photo of him doing his hair at 7mm.  But before the performance started I decided to go with the available lighting in the hall where the performance took place, mainly alternating between the 12-60 Zuiko and a 50mm f1.4 Sigma prime, depending on how shallow I wanted the depth of field to be.  Shooting the performance was a challenge, as I had placed myself in the front row, about 5 feet (sometimes less) from Rev. Billy and his chorus.  While that gave me a great vantage point to create a sense of intimacy between my camera and subject, it also made it more than a bit of a challenge locking focus on the cast as they literally ran towards and away from me.  Challenging, but also way fun.  Praise the Lord for big memory cards.

“Fun” is the key word for describing what it was like to shoot the show.  Total orchestrated mayhem, and a lot of cynical laughs.  And on more than one occasion, a bit of poignancy thrown into the mix as well.  That sense of very human, very silly, seriousness was what I tried to capture in this series.  God knows what the next set I do of the Reverend Billy Talen and his Church of Earthaluja will bring when I shoot him on his home turf in New York.

Al Stegeman AKA “Al in Philly” 2011

Your Next Tat

 

Continue reading “Your Next Tat” »

the colonel gaddafi

how in the world do we end up with leaders like this? kill your own people….. and history repeats itself and repeats itself and repeats itself

if the straightjacket fits….

“I have tiger blood”

Finding Love and Hugz

It was a crisp night in the city of brotherly love, the kind that made you want to stay home, if home was anywhere other than the one you actually lived in.  But it wasn’t, so I ventured out of my lonely exsistance determined to find love in this town.  But the cold, cruel faces of Philadelphia held nothing for me, so I decided to get a paper and a cup of coffee and retreat to some local dive.  The corner was littered with battered boxes of free words that might offer some companionship for a short time, so I reached a gloved hand to pull open the door…and there he was, standing guard of the plethora of freebies, refusing to let me enter without forcing smile across my lips.  His oddly squared purple body danced across a postal sticker as if it were the most natural habitat on the face of the earth, wide black eyes half filled with cheery highlights, plump juicy red tongue resting below his smiling teeth, triangular arms outstretched to give me a hug.  I had found my dose of Philadelphia love.  His name was Huggie!

From that moment on, I began to see Huggie! leaping stickers everywhere.  His face brightened light posts, abandoned buildings and street signs.  My bold new love creature made his way to Mayor Nutter’s Zombied forehead, he searched for lost socks seeming determined to brighten my day.  I was smitten.  I was determined.  I would meet the mysterious creator of my new found smile.  And I found him…although I’ll never reveal how.

He called himself Juan Bolas de Madera, and whether it’s true or not, doesn’t really matter.  He agreed to meet me after dark in a smoky little café to tell me more.  My heart was aflutter.  How would I know him?  What would I say?  I found a small table and waited for him to arrive.  I didn’t need to worry.  He strode in like a modern day Zoro and made his way to me as if was our destiny to meet.   We drank dark exotic coffees and he told me about his life’s work.

His mission was simple.  He wasn’t out to change the world or impose political views on an unsuspecting public, but simply wanted to change the streets of Philly, to add a little flavor, a little creativity, a burst of color.  Why not graffiti, I asked?  Because our hero is a kinder, gentler street artist, who’s cunning enough not to risk his art being stopped by legal repercussions, or take his art to that kind of level to spread the love.

Armed with devilish good looks, our artist began his reign of spreading good in the Peace Corps, working for a non profit organization in Loja, Southern Equador, near Peru.  During a local election of about 15 different parties, he noticed color coded posters everywhere and decided to post a fake election poster of Jefferson Perez, the only Ecuadorian to ever win a gold medal, in race walking.  The poster showed Perez, crossing a finishing line with the words…”Walking fast to a better future”.  He made a wheatpaste, a mixture of vegetable starch and water, used as an adhesive since ancient times, painted it onto his creation and the rest is history.

Back in Philly, he took note of local sticker artists like El Toro.  Upgrading from wheatgrass, he armed himself with any stickers he could find.  “Hello my name is”, priority mail stickers, anything would work.  His weapons were paint pens and sharpies.  There is no computer for our artist, no fancy printer or photoshop.   Each Huggie! is created by hand, although he has been known to allow a small circle of friends the honor of coloring in his famous friend.  Huggie! has now traveled around the world, often to places his creator has only dreamed of.  By trading with his small community of sticker revolutionaries, Huggie! Now grins from as far as Pyramids, Thailand, and South America spreading the love.

And then it happened.  Armed with a pocket full of hugs, my hero invited me on his journey.  Like Lois Lane clutching Superman for a midnight flight, I grabbed my camera and flew out the door with the superhero of street arts.  He disappeared beneath his hoodie, obscuring himself from all but me, and we ran into the night to paper this town with our little friend.  His razor sharp focus was feral.  His stride blazingly quick as he spotted a target, dove into his bag, drew out the perfect Huggie! and affixed him to his new home.  Arms stretching higher than I ever thought possible, he reached street signs with the agility of a cat, selecting the Huggie!, the perfect color, for the perfect spot.  “Lost sock” signs with a ironic humor that still makes me giggle.  I struggled with my camera settings to keep up with him, but then again it was like trying to capture a wild animal in flight.

And then it was over.  His pockets empty, my artist vanished into the night, as if he only exists as long as there is a pocket full of love with which to paper the city.  Whenever I’m feeling lonely, I will remember to look in the most ordinary of places to find evidence of true love, a simple smile, or simply the message…I haz hugs.